我们所想象的桥梁，不只是供人渡过河渠的造物，也应成为一种导体，联络起被割裂的场所，景观，乃至生活。
三号基地西岸的住宅区被高墙和河道包围，本就碎片化的公共空间被停车区域进一步压缩，对岸一水之隔的景观公园却因不便的交通可望而不可及。我们希望置入一座桥，让人能到对岸去，也让景能到此岸来。
抽象的“山”作为一种自然的意象，成为了建筑的语言。流动的“山”联系起两岸。山峦交错有步移景异之趣，也演化为桌、椅、墙、廊，使人可游，可观，可居。廊桥处“山”化为四列结构支撑，而顶盖半悬其上，开口错落，天光倾泻，形成云的意象，塑造出一种漂浮感。开口也让雨水得以逐渐锈蚀包裹“山”的铜板，宛如雨水浇绿山峦，让桥与时间对话。
As a natural image, the abstract "mountain" has become the language of architecture. The crisscrossed and suffusing "mountains" connecting two sides offers a changeable scenery with the moving steps. They also transformed into tables, chairs, walls and corridors, making people able to experience, perceive and settle. Four "mountains" at corridors transferred into load-bearing structures, while the canopy half hangs on it. The skylight pours through the scattered openings, forming an image of clouds, and shaping a sense of floating. The openings also allow the rain to gradually rust the copper plate that covers the "mountain," just like the rain greening the mountains, and brings in timelessness into the bridge.
三号基地西岸的住宅区被高墙和河道包围，本就碎片化的公共空间被停车区域进一步压缩，对岸一水之隔的景观公园却因不便的交通可望而不可及。我们希望置入一座桥，让人能到对岸去，也让景能到此岸来。
抽象的“山”作为一种自然的意象，成为了建筑的语言。流动的“山”联系起两岸。山峦交错有步移景异之趣，也演化为桌、椅、墙、廊，使人可游，可观，可居。廊桥处“山”化为四列结构支撑，而顶盖半悬其上，开口错落，天光倾泻，形成云的意象，塑造出一种漂浮感。开口也让雨水得以逐渐锈蚀包裹“山”的铜板，宛如雨水浇绿山峦，让桥与时间对话。
As a natural image, the abstract "mountain" has become the language of architecture. The crisscrossed and suffusing "mountains" connecting two sides offers a changeable scenery with the moving steps. They also transformed into tables, chairs, walls and corridors, making people able to experience, perceive and settle. Four "mountains" at corridors transferred into load-bearing structures, while the canopy half hangs on it. The skylight pours through the scattered openings, forming an image of clouds, and shaping a sense of floating. The openings also allow the rain to gradually rust the copper plate that covers the "mountain," just like the rain greening the mountains, and brings in timelessness into the bridge.
